Bruce Springsteen's lifetime of cultural protest
National Post, 27 May 2026
The Boss's latest tour follows a career of standing up to communists, mayors, police officers and presidents
“Thank you for a lifetime,” says Bruce Springsteen toward the end of the concerts on his recent tour, Land of Hope and Dreams. In New York City, it was particularly poignant.
At 76, the Boss has been on the road for a lifetime — at his May 11 show at Madison Square Garden, he recalled that he played a club in Greenwich Village in 1966, at age 16. Sixty years later, his concerts are closer to three hours than to four, but the high-octane intensity of the E Street Band is only slightly diminished. The exuberant virtuosity of Max Weinberg on the drums or Nils Lofgren on guitar would exhaust men a third their age.
A fervent critic of U.S. President Donald Trump, Springsteen was galvanized by the ICE operation in Minneapolis this winter, which met with widespread resistance among the citizenry. In response, he announced this short tour, beginning March 31 in Minneapolis and planned to conclude in Trump’s shadow in Washington, D.C., on Wednesday. Arena conflicts meant it will now conclude on Saturday in Philadelphia, fittingly in the city of America’s founding.
The killings of American citizens who protested, Renee Good and Alex Pretti, marked something of a turning point. The cartoonish ICE commander on site was transferred out and quickly retired. Trump fired the Homeland Security secretary. ICE put its tail between its legs and slinked out of town.
Springsteen recorded a song in memory of Good and Pretti, “The Streets of Minneapolis,” punctuated with shouts of “ICE out now” in live performances. Feeling both despondent and energized, Springsteen spontaneously summoned the E Street Band for eight weeks of artistic protest.
Trump will have his mixed martial arts cage match on the White House grounds next month to mark America’s 250th birthday. Springsteen will be at Nationals Park in Washington this week with his own contribution.
Despondent energy and the great patriotic lament has been the Springsteen genius for more than 50 years; the same man who sings sentimental ballads about his hometown first became a rock sensation with “Born to Run,” the urgent cry to get out and get away. Yet 60 years later, Springsteen was back at “the world’s most famous arena,” across the river from where he grew up.
“Born in the U.S.A.” is the second song on this tour’s set list. He played it in front of a massive American flag on his mammoth 1984 tour, amidst the patriotic frenzy of that summer — the Los Angeles Olympics, U.S. President Ronald Reagan’s Morning in America re-election campaign — even though it was an indictment rather than a celebration.
In 2026, Springsteen sees much to indict — and still reason to celebrate. “The Land of Hope and Dreams” is a song about heaven, but Americans — as far back as George Washington and Abraham Lincoln — sometimes think of their country as the promised land for an almost-chosen people.
“Thank you for a lifetime.” The throngs who sellout arenas even now for Springsteen could have said the same to him. I saw Springsteen in Ottawa in 2012, and the crowd was mostly his age. This time around, there are new generations, perhaps attracted by someone who can lament and celebrate together.
America is angry, and many are angry at their government and their unpopular president. Springsteen is angry, too, and has been for a very long time, about a great many things, but he has not lost his faith. Thus he is not wholly given over to anger. There is hope; there is joy. The anger does not completely obscure the good that remains.
No one else has a set list more suitable for this moment, known well by those who have followed him for a lifetime. He played “Streets of Minneapolis,” about the police killings this year, and also “American Skin (41 Shots).” He wrote the latter after the 1999 death of Amadou Diallo, shot 41 times by four New York cops who mistook him for a rapist, and then thought he was reaching for a gun when he tried to get his ID.
The tough-on-crime ideologues, always ready to excuse lethal police incompetence, blasted Springsteen for the song, with Mayor Rudy Giuliani telling him not to perform it in New York. Springsteen, insisting the song was not anti-police but anti-brutality, sang it 10 consecutive nights to sellouts at Madison Square Garden in 2000.
Twenty-six years later — a lifetime for the younger fans in attendance — it was chilling and strangely comforting to hear it again, Diallo’s killing having had so many echoes in the intervening quarter century.
“Land of Hope and Dreams” was written at the same time, a folk gospel song about “this train” headed to where “tomorrow there’ll be sunshine and all this darkness past … where sunlight streams meet me in a land of hope and dreams.…
“All aboard … this train carries saints and sinners/losers and winners/whores and gamblers/lost souls and broken-hearted/thieves and sweet souls/fools and kings,” Springsteen sings, promising that, “Dreams will not be thwarted, faith will be rewarded.”
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